The image is a prime example of mid-19th-century portraiture. During this era, daguerreotypes were the first commercially successful photographic process. Because the images were monochromatic and often appeared somewhat "ghostly" due to long exposure times, artists frequently applied delicate hand-tinting to the cheeks, clothing, and jewelry of the subjects to provide a more lifelike and "healthy" appearance. Visual Analysis
At The Met, this specific file number is associated with the museum’s digital preservation efforts. It serves as a scholarly resource for studying:
inches), it was a common size for family keepsakes and was usually protected behind glass in a decorative leather or thermoplastic case. Archival Significance 5423290_050.jpg
The intricate lace, fabric textures, and styling of children's clothing in the 1850s.
The filename typically refers to a high-resolution image of "Young Girl" (c. 1850) , a hand-colored quarter-plate daguerreotype held in the permanent collection of the Metropolitan Museum of Art in New York City . Historical Context The image is a prime example of mid-19th-century portraiture
The chemical transition of silver-plated copper into a mirror-like image.
The portrait features a young girl seated in a formal, static pose characteristic of the technical limitations of the time, which required subjects to remain perfectly still. Visual Analysis At The Met, this specific file
You can view the full record and high-resolution details of this artwork through The Met's Open Access Collection.