Assault On Precinct 13(1976) Here

As the sun sets, the "Street Thunder" gang surrounds the building. They are not a typical gang; they are a silent, dehumanized force that moves like a tide. They use silencers to pick off the guards outside and Julie inside, cutting off the precinct from the rest of the world. No one hears the shots, and the lack of working phones means no help is coming. An Unlikely Alliance

maintains a calm, commanding presence as the gang begins to crawl through the windows like a human wave. The Final Stand

An analysis of the Western and Horror influences, such as Rio Bravo and Night of the Living Dead . Assault on Precinct 13(1976)

provides the tactical muscle, trading deadpan quips with Leigh between waves of attackers.

proves to be the group's backbone, taking a bullet to the arm but refusing to stop reloading weapons. As the sun sets, the "Street Thunder" gang

Details on the iconic synth soundtrack composed by John Carpenter.

When the sun rises and the LAPD finally arrives, the siege is over. As officers move in to re-handcuff the prisoners, Bishop stops them, insisting that Wilson be treated with respect for his role in the defense. The two men walk out of the decimated precinct together, the only ones left standing in the wreckage after a night of relentless conflict. Further information is available regarding: A comparison of this original to the 2005 remake. No one hears the shots, and the lack

See how the film's director, John Carpenter, created a masterclass in tension with limited resources: Neil Marshall on ASSAULT ON PRECINCT 13 Trailers From Hell YouTube• May 3, 2014 The Siege Begins