: One of the most common complaints involves Sevigny’s accent, which Metro and Variety describe as "dodgy" or "wobbly," occasionally slipping between various regions.
: Critics from The Washington Post and The Guardian praise Sevigny for her nuanced, "pure class" portrayal of Mia. She navigates the character's internal conflict and gender dysphoria with a mix of fragility and lethal menace.
: The series famously ends on a cliffhanger, and since a second season was never produced, some find the conclusion deeply infuriating or unsatisfying . Final Verdict Hit & Miss
: Despite the "laughably bizarre" premise, the writing is noted for its surprising sensitivity toward gender identity, avoiding cheap jokes in favor of a deep exploration of what constitutes a family. The "Misses"
The 2012 British miniseries is a strikingly original drama that blends the grit of a Manchester crime thriller with the sensitive, atmospheric tone of an indie family drama. A Bold, Bizarre Premise : One of the most common complaints involves
Hit & Miss is a "beautifully sad downer" that won't be for everyone. However, for fans of Paul Abbott ( Shameless ) or those looking for a truly unique, character-driven drama, it is a compelling six-episode journey that stays with you long after the credits roll.
The show centers on Mia (played by Chloë Sevigny ), a pre-op transgender hitwoman whose cold, professional life is upended when she discovers she fathered a son with a now-deceased ex-girlfriend. Overnight, she becomes the guardian of a grieving, dysfunctional family on a remote farm. : The series famously ends on a cliffhanger,
: The series is beautifully shot, capturing the stark, moody landscapes of the British countryside. Reviewers from AVForums compare its atmospheric quality to Andrea Arnold's Wuthering Heights .