Godard utilizes a distinct, anti-realist style that rejects traditional narrative, relying instead on:
I. Introduction
Characters frequently break the fourth wall, addressing the audience directly or acting out scenarios. La Chinoise
Godard is heard off-screen asking actors questions, highlighting the film’s status as a "work in progress". III. The Maoist Cell: "The Aden Arabie Cell" Godard utilizes a distinct, anti-realist style that rejects