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Shot in 3D by cinematographer Benoît Debie, the film uses the technology to create an immersive, almost voyeuristic sense of claustrophobia.
The story follows (Karl Glusman), an American film student living in Paris who wakes up on New Year’s Day to a distressing message from the mother of his ex-girlfriend, Electra (Aomi Muyock), who has gone missing.
Stuck in a stagnant life with his current partner, Omi (Klara Kristin), and their young child, Murphy spends the day descending into a drug-fueled haze of nostalgia. The narrative is non-linear, using fragmented flashbacks to reconstruct his volatile relationship with Electra—from their initial intoxicating passion to the eventual destruction caused by jealousy, infidelity, and drug use.
Love (2015) -
Shot in 3D by cinematographer Benoît Debie, the film uses the technology to create an immersive, almost voyeuristic sense of claustrophobia.
The story follows (Karl Glusman), an American film student living in Paris who wakes up on New Year’s Day to a distressing message from the mother of his ex-girlfriend, Electra (Aomi Muyock), who has gone missing. Love (2015)
Stuck in a stagnant life with his current partner, Omi (Klara Kristin), and their young child, Murphy spends the day descending into a drug-fueled haze of nostalgia. The narrative is non-linear, using fragmented flashbacks to reconstruct his volatile relationship with Electra—from their initial intoxicating passion to the eventual destruction caused by jealousy, infidelity, and drug use. Shot in 3D by cinematographer Benoît Debie, the