: Use trills and runs that mimic the human voice to make melodic lines more "singable" and expressive.
: A "secret" to his modern sound is using the whole-step half-step diminished scale to derive dominant chords that move in minor 3rds. He often employs a "slash chord" style harmonic approach to stretch these dominant functions.
: Practice playing through a basic progression (e.g., in E-flat) while aiming to enhance every scale degree with at least two different chord options. master_class_with_cory_henry_on_harmony
For those looking to dive deeper into these specific techniques, the Cory Henry Workshop on YousicPlay provides a structured lesson plan covering these harmonic functions and soloing frameworks. Master class with Cory Henry on Harmony
: Henry often omits the root note from his hand voicings, especially when a bass player is present. He utilizes guide tones (3rds and 7ths) in the left hand and color tones (extensions like 9, #11, 13) in the right hand to create a sophisticated sound. : Use trills and runs that mimic the
: Harmonic choices should vary based on location and atmosphere. For example, in a "high worship" setting, Henry suggests staying closer to the original composition to maintain unity, whereas solo performances allow for more experimental stretching.
: He teaches a framework for transforming basic progressions (like a standard 2-5-1) into "Gospel-feeling" movements by adding passing chords and phrases that bridge the primary harmonic pillars. : Practice playing through a basic progression (e
: Shift specific notes within a melody by an octave to add variation without losing the theme.