Soul Medicine ❲99% PLUS❳
Soul Medicine ❲99% PLUS❳
Programs specifically titled " Soul Medicine " have emerged to bridge the gap between treatment and existence. These initiatives use:
The Architecture of Awe: Defining Soul Medicine In the contemporary landscape of clinical excellence, we have become masters of the "craft" of the body, yet we often remain novices in the "art" of the soul. Modern medicine, for all its molecular precision, frequently encounters a boundary where biology ends and the "intangible" begins. This intersection is where resides—not as a replacement for pharmacological intervention, but as an essential integrative paradigm for being human. The Historical Diagnostic Soul Medicine
The concept is far from new. Ancient and medieval traditions viewed the body and soul as two sides of the same coin: while medicine treated the physical form, justice and philosophy were considered the "medicine" for the soul. Thinkers like Galen argued that "affections" of the soul—violent emotions and false beliefs—were diseases as real as any physical ailment, requiring a "psychic therapy" through philosophical training. In this view, a physician was not just a technician of flesh but a guardian of the patient’s "immortal core". The Modern Re-emergence Programs specifically titled " Soul Medicine " have
Today, the term "soul" has re-entered the clinical lexicon, particularly in high-stakes fields like and palliative care . Researchers suggest this shift signifies a "tacit quest" for meaning that is often missing in standard clinical constructs. This intersection is where resides—not as a replacement
|
Track Listing :
|
Album Information :
|
|
UPC:008811109226
|
|
Format:CD
|
|
Type:Performer
|
|
Genre:Country - Contemporary Country
|
|
Artist:George Strait
|
|
Guest Artists:Steve Gibson; Stuart Duncan; Matt Rollings; Buddy Emmons
|
|
Producer:Tony Brown; George Strait
|
|
Label:MCA Records (USA)
|
|
Distributed:Universal Distribution
|
|
Release Date:1994/11/08
|
|
Original Release Year:1994
|
|
Discs:1
|
|
Recording:Digital
|
|
Mixing:Digital
|
|
Mastering:Digital
|
|
Mono / Stereo:Stereo
|
|
Studio / Live:Studio
|
|
Customer review - February 06, 1999
3 of 3 people found the following review helpful:
- An overlooked good record
George's Strait discography has always been consistently good. This CD was never much in light, but it is excellent, with even a few gems like the cajun-flavored "Adalida", and the moving "Down Louisiana Way" which were not included in his fabulous box-set. Buy and listen. Paul LeBoutillier
2 of 2 people found the following review helpful:
- Pretty good album that was overlooked
The first thing I noticed was this was the first Strait album with lyrics included in the liner notes, which was nice of them to finally do.
My favorite songs on this one are Nobody Has To Get Hurt and I'll Always Be Loving You. Both have solid melodies and choruses that practically force you to sing along. Nice, creative idea on Nobody. Lead On is very The Chair-ish, as both do great jobs at examining the initial stages of a relationship. You Can't Make A Heart delivers an impressive and overlooked message, and I Met A Friend relates a realistic scenario to the meltdown of a couple.
Adalida and Big One are songs that start to get away from him a few times, with Adalida being perhaps the only substance-free song on the album. George's weakest songs have always been at least listenable and above average. This applies to What Am I Waiting.
Overall, this is a solid album, but lacks the one gotta-have, instant-classic tune that many of Strait's other albums possess.
1 of 1 people found the following review helpful:
- One Of George's Best Albums.
I Like This Album. It Was Released In The Fall Of 1994. The Lead-Off Single "The Big One" Went Strait To Number 1. So Didn't "You Can't Make A Heart Love Somebody". The Title Track Is Also Another Love Balled. Buy This CD Today.
- Great CD
I really enjoy George Straits music and I do intend to get more of them as soon as I can
- A very good album for the most part
Programs specifically titled " Soul Medicine " have emerged to bridge the gap between treatment and existence. These initiatives use:
The Architecture of Awe: Defining Soul Medicine In the contemporary landscape of clinical excellence, we have become masters of the "craft" of the body, yet we often remain novices in the "art" of the soul. Modern medicine, for all its molecular precision, frequently encounters a boundary where biology ends and the "intangible" begins. This intersection is where resides—not as a replacement for pharmacological intervention, but as an essential integrative paradigm for being human. The Historical Diagnostic
The concept is far from new. Ancient and medieval traditions viewed the body and soul as two sides of the same coin: while medicine treated the physical form, justice and philosophy were considered the "medicine" for the soul. Thinkers like Galen argued that "affections" of the soul—violent emotions and false beliefs—were diseases as real as any physical ailment, requiring a "psychic therapy" through philosophical training. In this view, a physician was not just a technician of flesh but a guardian of the patient’s "immortal core". The Modern Re-emergence
Today, the term "soul" has re-entered the clinical lexicon, particularly in high-stakes fields like and palliative care . Researchers suggest this shift signifies a "tacit quest" for meaning that is often missing in standard clinical constructs.
|