Stories We Tell(2012) Now

The documentary is structured as an investigation where Polley interviews her siblings, her father Michael, and friends of her mother to piece together Diane’s life. Diane passed away from cancer when Sarah was only 11, leaving behind a legacy of vibrant energy and hidden layers.

: The film is as much about how we tell stories as it is about the story itself. Polley includes shots of herself directing the interviews and her father in the recording booth, emphasizing the artifice involved in constructing any narrative. Critical Legacy and Themes Stories We Tell(2012)

: Through her research, Polley identifies her biological father as Harry Gulkin , a film producer she eventually meets and forms a friendship with. The documentary is structured as an investigation where

Since its debut at the Venice Film Festival, "Stories We Tell" has been hailed as a masterwork of personal cinema. Polley includes shots of herself directing the interviews

Sarah Polley’s is a groundbreaking autobiographical documentary that investigates the filmmaker's own family secrets and the elusive nature of truth. At its core, the film explores Polley’s discovery that the man who raised her, Michael Polley, was not her biological father—a revelation stemming from an affair her late mother, Diane, had while performing in a play in Montreal. The Quest for a Single Truth

: Despite the revelation, Michael remains a central figure, providing the film's narrative backbone by reading from a memoir he wrote about his life with Diane. His enduring love for Sarah and his thoughtful perspective on the past provide the film's most poignant emotional notes. Innovative Storytelling Techniques

Polley uses a unique blend of real archival material and "faux" home video to challenge traditional documentary conventions.