Most critics categorize it as a "decent premise trapped in average execution". It’s a passable watch for die-hard horror fans looking for a foreign take on "techno-horror," but it lacks the sustained tension or polished script needed to stand out in a crowded genre.
: Many viewers found the ending or major plot twists to be a point of contention. Some felt the twist left them "confused rather than intrigued," while others found the final reveals predictable.
(2021), also known as Byvshaya , is a Russian horror-thriller that attempts to blend modern social media anxieties with classic supernatural dread. Directed by Evgeniy Puzyrevskiy, the film explores how a digital footprint can literally come back to haunt you. Synopsis
: A common criticism is that the "thin idea" is stretched too thin for a feature-length film, leading to a dragging middle section and characters that aren't quite deep enough to carry the weight of the mystery. Verdict: 4/10
Most critics categorize it as a "decent premise trapped in average execution". It’s a passable watch for die-hard horror fans looking for a foreign take on "techno-horror," but it lacks the sustained tension or polished script needed to stand out in a crowded genre.
: Many viewers found the ending or major plot twists to be a point of contention. Some felt the twist left them "confused rather than intrigued," while others found the final reveals predictable. The Ex (2021)
(2021), also known as Byvshaya , is a Russian horror-thriller that attempts to blend modern social media anxieties with classic supernatural dread. Directed by Evgeniy Puzyrevskiy, the film explores how a digital footprint can literally come back to haunt you. Synopsis Most critics categorize it as a "decent premise
: A common criticism is that the "thin idea" is stretched too thin for a feature-length film, leading to a dragging middle section and characters that aren't quite deep enough to carry the weight of the mystery. Verdict: 4/10 Some felt the twist left them "confused rather